June 15, 2010
Apparently we are now a Recommended Graphic Design Company.

Well done to us.
I’ve been wanting to write an article about the curse of procrastination for a long time. However, of course, I procrastinated about that so long, several other people have. Rather than just repeating what’s been said, I’ll point you to John Perry’s website, structuredprocrastination.com who, aside from summarising it all very well, also makes a valiant job of attempting to turn the whole thing to his advantage.
What interests me is the fact that procrastination is almost universal in people who are normally described as “creative types”.Why? Douglas Adams used to famously avoid having to write by having baths. Several a day, in fact. Apparently his publisher once commented that he never once managed to hit a deadline…but he always smelt really nice.
As designers, we are surrounded by some very dangerous distractions. Computers. The most tempting, time-sucking creations ever made are, by a cruel twist of fate, the very things we are also supposed to use to get our work done with.
I took games off my Mac years ago. It just had to be done. However, since then the internet has sneaked up on us. Facebook, Twitter, the hundred blogs you feel you need to keep up with. Email, iChat. All of these toys with their shiny, glossy icons inviting you to come and play, and all with built-in justifications: Facebook could be helping you meet your next client. Blogging is a great marketing tool. Email is easier than phoning someone. That retro video PhotoShop plugin you just spent ten minutes downloading will, if mastered be great for some job in the future. Probably.
But it’s not all computers. There are endless possibilities for analogue procrastination as well. Never is our office tidier or more organised than when a big project has just begun. Well – you need to clean up, clear a space, get organised for the new work. And go and get some crisps and chocolate to see you through. Maybe the skirting boards need levelling off a bit. A new shelf to put all the new work on. Anything, in fact, to avoid doing the actual work itself (which, of course will be great when it is done, so no need to worry, really).
Wikpedia has some really scary things to say on the subject. Phrases like “psychological disorder”, “mental health” and “low self-esteem” kind of made me decide to go and do something else and maybe read that page later.
My own theory is that creativity is somehow in need of a jump start which can only be achieved with a buildup of adrenalin. Designers need the utter terror of a looming deadline in order to kick into action whatever part of the brain that supplies us with the instinctive solution to a problem without all that tedious thinking and planning that normal people have to go through. Also the act of thinking of something completely unconnected to what you are supposed to be somehow allows a hidden part of your mind to work away undisturbed and to quietly deliver the answer – usually at the strangest of times.
You could say rather than a negative aspect, procrastination is practised by people who have a supreme confidence in their own abilities. People who know they’ll always think of something at the last moment and know enough about how their own heads work to just let it get on with it automatically.
Either that or creatives are just people who are good at working out the bare minimum of work needed to complete a task so they can fill the rest of the day on Facebook.
Who knows? Not me. Anyway, there’s a deadline looming here so, naturally, I’m just going to fill the screenwash up in my car and maybe go and buy some crisps.

Sheffield, Derry, Birmingham and Norwich have made the shortlist to become the very first UK City of Culture in 2013. Sheffield is therefore on its way to achieving its ambition to be the most creative city in the UK by 2020.
Sheffield’s bid sets out to curate an amazing programme of events and activity in 2013 which will engage, not just those already involved with arts and culture but, everyone in the city by inspiring, nurturing and celebrating their creativity. The bid also highlights Sheffield’s international credentials as a city with strong cultural assets; a diverse community; a great place to live, visit and work; the capacity to deliver big; and an innovative approach.
UK City of Culture 2013 aims to build on the success of Liverpool’s year as European Capital of Culture 2008, which had significant social and economic benefits for the city – including a total income of £130 million over six years.
The four shortlisted cities will be required to submit a final bid to DCMS on 21st May 2010 and the winner will be announced in early July.
Join in at www.sheffieldcityofculture.com
According to today’s statistics Microsoft Internet Explorer v.6 has dropped to 8.9% share of browser usage worldwide (have a look at www.w3schools.com for the latest stats – it might be even less by the time you are reading this).
This has prompted us to make a decision which we have been agonising over for quite a while: by default we are not going to support it any longer.
Why? Well, in short it doesn’t really work. We have to do things to our websites that we’d rather not do to make them work in IE6 – things that often break the site in other browsers.
That’s an oversimplification, of course. IE6 was OK in its time. But its time has passed. Things we take for granted just didn’t exist in August 2001 when it was released. No PNG transparency, lack of proper CSS support, non-standard rendering of pages and bugs galore were not so much of a problem when there were no standards to stick to. However, times have changed and browser manufacturers – despite still arguing about details – are making an effort to standardise the way websites display and work in order to deliver a better user experience.
The Web 2.0 revolution that has happened since the release of IE6 depends on technologies that just don’t exist in that browser. Neither YouTube, Facebook, Twitter or Google want anything to do with it any more because they don’t want to be held back. Other browsers allow them to move forward and innovate.
The biggest problem we have is that we are constantly told that “large corporations” still use IE6 because their IT departments insist upon it. We’ve never actually seen proof of this but we do come across clients who have shown their new site to somebody who is still using IE6 only to see it break or just look plain ugly. This, of course, makes us look incompetent. The hacks we need to do to avoid this often cause a huge amount of lost time as it involves actually finding out what the problem is first before embarking on a long quest around the internet to find a solution which doesn’t have the opposite effect on the other browsers. Then we have to actually implement that solution. Naturally the incompatibility is usually spotted at 4:45pm on Friday.
If we allow for this when quoting for work our prices will look expensive. If we don’t and take the chance everything will be OK, we’ll probably lose out. It’s always a dilemma.
We’ve read endless tirades against IE6 and why it should be killed off. Calls on discussion groups for militant action and rants and raves (which just usually end in general Microsoft-bashing), usually made in the early hours of the morning by web developers who are at the end of their tether trying to make their site work in a crappy, obsolete browser and not getting paid anything for it, whilst trying to explain to clients in simple terms what’s actually going wrong. We understand this – we’ve been there ourselves.
But mouthing off on the internet isn’t going to help, so we’ve decided to do something a bit less confrontational and, hopefully, helpful.
We’ve decided to make IE6 support an option with the websites we build. From now on our quotations for web work will have an “IE6 compliance” line which will detail the extra costs involved in making the site backwards-compatible for this browser. It’s not a way of charging extra…believe me, we’d really rather not have to bother supporting IE6 at all – life is just too short. But we can and we will if we have to. This way the client has the option. Long term, we hope if more web development companies calm down a bit and do the same IE6 will just become a ghost in the browser’s graveyard along with AOL, Netscape, Mosaic and CyberDog.
We’d like to hear people’s thoughts on this approach.
As Martin’s just pretty much covered everything about the design side of 2009 in his last post I thought I’d add some thoughts about what went on business-wise.
2009 was a bit of a yin and yang year for us. We began by bucking the recession due to the fact we were building online shops and other non-print projects. However the print design side also saw an increase, although the jobs were smaller and mostly relating to clients’ websites. For example, short run flyers promoting web offers or corporate IDs for new businesses who were wanting a web presence over anything else. Businesses seem to be retreating to the web due to the flexibility and ease of updating what they are offering.
The later part of the year saw a massive increase in late and non-payment from clients – even ones we have worked for for years and considered friends. It seems that when times are hard loyalty becomes a casualty. My own role became more of a credit controller than a designer which had a knock-on effect on the time available to spend with our “good” clients and developing new business. We felt that by giving massively increased credit (although not out of choice) we were suddenly doing the job of the banks, who were in retreat from lending.
However, on the upside, in terms of new business, 2009 must go down as a record year for increasing our client base with a surprising amount of startups coming to us and also established companies looking for a change, or for better value from their creative partners.
I’d be interested to hear some feedback from others in the creative industries to see if we had similar experiences.
As for our direction in 2010, 2009 has laid the foundations for a slight shift in our approach to website building. Every site we built had some sort of content management element. It’s something you can’t escape from now. Unfortunately this makes it difficult to add sites to your portfolio as you’re never quite sure what the client has done to the site after you’ve “handed over the keys”. The majority of sites were based on WordPress (including this one) which has now matured from a blog system into something that can transparently run a normal-looking site…but with the added advantage of a massive amount of control for the owner.
We also built several online shops based on the Zen Cart and X-Cart systems as well as creating a couple of totally bespoke systems ourselves in-house for clients with specific needs. A significant development here has been the wider acceptance of PayPal as a payment gateway. As it can also process standard credit and debit cards it allows the site owner to avoid having to jump through the hoops of the banks and also to avoid the nightmare (and often prohibitive cost) of PCI compliance. The surge of online shopping is something we hope to continue taking advantage of, and I think I’m going to have to just bite the bullet and start using the words “cart” and “store” instead of “shopping basket” and “shop” to save time when customising (or should that be “customizing”) these American systems.
Final thoughts:
We got to love:
We got to hate:
Glad to see the back of:
Hello and Happy new year! It’s been a while since I’ve managed to post anything new on here, we’ve were very busy during the run up to Christmas and I couldn’t find the time to write. Still we will have some new work to add to our portfolio very soon.
Design and in particular, web design are fields which require practitioners to keep constantly up to date on what’s going on within their chosen field. In the case of design, its important to keep up with the latest trends, themes and motifs, while trying to figure out where to go next. In the case of web design you also have to keep up with technology, APIs, frameworks and a whole host of other technobabble that occasionally fills me with dread.
Recently I’ve recently been learning the intricacies of x-cart. X Cart is a solution for building safe and robust e-commerce sites and supports all the sort of features that you’d expect to see in an online shop, by using it we can offer our clients a powerful shopping solution that should cover almost all their needs for a nominal charge. We’ll be adding a couple of shopfronts we’ve been building to our portfolio soon.
I’ve also been burying my head in the innards of WordPress to allow us to build ever more complex blogs and websites, I’ve also been working my first custom widget for the Sensora 2010 website.
I’ve also been busying myself with learning Action Script 3. To be fair, I’ve been learning bits of it since it was released, but I seriously knuckled down to it in 2009 and can now use it – together with away3d to deliver fully interactive 3d experiences straight to the user’s browser. Working with Flash and AS3 is a bit of a weird one for me personally, I used to hate it, then I had what I guess you could call an epiphany and everything seemed to fit together in my head. Now its an area I actually enjoy working with – go figure.
Ok… so I kinda revel in the technobabble, but when you can use it to actually come up with something it’s sort of seductive.
We’ve just completed work on the new website for The Beat is the Law documentary.
The visual style of the site is inspired by the work of Martin Bedford – a highly influential graphic designer and co-founder of the Leadmill in Sheffield. The Park Hill flats which dominate the Sheffield skyline are a powerful image and evoke unique memories for the people of Sheffield including many of the musicians participating in the film, so we decided they should be an ever-present part of the site. Bold contrasting colours and high-contrast imagery highlight the different areas of the site. You won’t find many clean lines and straight edges on this site.
Quotes from the film are pulled out and displayed randomly throughout your journey through the site. When clicked, you can watch the part of the film they were taken from.
As well as the video clips and screenings news and reviews, we have built a shop, a media area (including exclusive video, photos and a listening room where rare Sheffield tracks can be played) and a “Making Of” section. The site pulls together content hosted on Vimeo, YouTube, Flickr and Twitter and makes full use of Facebook to complete the social media coverage – vital for a site like this.
Technically, the site it totally content managed by the film’s producers at every level.
I stumbled across this article on SEO the other day, although I agree with him, I’d like to distance myself from Powazek’s vitriol, I don’t think everyone working in SEO are bloodsucking vampires, systematically destroying the web for their own diabolical ends…I do however want to weigh in on the subject, as its something that we get asked about quite a bit.
If you can stomach the pretentiousness of the phrase ‘meta-art’, then please read on;
An old favourite of ours:
“…Drop your overpaid, colourblind designer….”
But wait…there’s more…
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